2024 Digital Binder – In Person

Jonathan Swindle is a Seattle-based actor from Cleveland, TN. Previous Puget Sound credits include "A Christmas Carol" and "Pageantry" with Taproot Theatre Company; "Monstrous Regiment" with Latitude Theatre; "Pericles, Prince of Tyre" with Greenstage; and "The Last Days of Judas Iscariot" and "Tribes" with Tacoma Arts Live. Jonathan has a Bachelor of Arts in Theatre from Lee University and a Master of Fine Arts in Performance from the University of Southern Mississippi. He is trained in both Lessac Kinesenic Training as well as Michael Lugering's Expressive Actor Method, and has received training in Unarmed, Single Sword, and Broadsword combat with both Dueling Arts International and the Society of American Fight Directors.

Seamus C. Smith (he/him) is an actor from Bothell, Washington. He earned an AA from Shoreline Community College and holds a BFA in Theatre Performance from Central Washington University. Seamus is also a director, stage manager, and fight choreographer with a background in film, production management, and carpentry. He takes private voice lessons and was heavily involved in starting the theatre program at his high school. Some of his favorite roles include LeFou in Beauty and the Beast (BPA), Jeff McCracken in Kimberly Akimbo (As If Theatre), A Somebody in Everybody (CTE), and Simon Bliss in Hay Fever (inD Theatre). When he's not onstage or filming he works at his family's pizzeria and is also a voice actor and original member of AudioImagination77, a Seattle based group of artists that produce original audio plays.

Daisy is an actor, writer, administrator, stage manager, eldest daughter, and always happy to help out. Currently a student at the University of Washington, and a lifelong Seattleite, she is profoundly grateful to call the PNW home. Daisy cares deeply about honest stories that unearth unexpected commonalities, attempts to approach her artistry with tremendous love and gratitude for those around her, and admits that she's a sucker for a happy ending. She thinks often of the ways bodies construct meaning onstage, and aims to tell stories that soften the barbs we turn on ourselves. Outside of rehearsal Daisy works at a small cookie bakery, video-chats with her cats, and always wants a hug.

I consider myself a character actress that can sing.

I'm a Seattle-born theatre artist who recently returned to the city after moving to Portland, OR for my education. My interest and experience in theatre is wide-reaching and multi-faceted, and my most ardent goal in my work is connection and process with audience and collaborators alike.